Lee Moorhouse Photographs
Scope and Contents
The collection comprises approximately 1,500 glass plate negatives, dating from around 1897 through 1915. The vast majority of the negatives in this collection are studio portraits taken at Moorhouse’s house in Pendleton, Oregon. Very few of the photographs have been labeled with the names of their subjects, but it is likely that they were family and friends of Moorhouse, as well as local Pendletonians (residents of Pendleton, OR). A small portion of the photographs depict members of local Native American tribes including the Weyíiletpu (Cayuse), Imatalamłáma (Umatilla), Walúulapam (Walla Walla), Nimiipuu (Nez Percé), and Wɨ́šx̣am (Wishram) tribes. Some photographs show signs of silvering degradation in the digital copies.
Dates
- Creation: 1897-1915
Creator
- Moorhouse, Lee, 1850-1926 (Photographer, Person)
Conditions Governing Access
Collection is open for research.
Conditions Governing Use
Any rights (including copyright and related rights to publicity and privacy) held by The Heritage Station Museum and Umatilla County Historical Society were not transferred to Whitman College. Permission to publish or reproduce materials in this collection must be secured from The Heritage Station Museum and Umatilla County Historical Society. If you have questions about permitted uses of this content, please contact the Heritage Station Museum, director@heritagestationmuseum.org/ (541)-276-0012.
Biographical / Historical
Major Thomas Leander (Lee) Moorhouse is most well known for being the Indian agent for the Umatilla Indian Reservation from 1889 to 1891. He was born in Marion County, Iowa on February 28, 1850. In 1861, his family moved to Walla Walla, Washington via the Oregon Trail. In his first year in the Pacific Northwest, Moorhouse stayed with family friends in the Pendleton area. Moorhouse also attended Whitman College Seminary in 1866.
Throughout his life, he worked in many different positions, including as a surveyor, businessman, and insurance salesman. During the Bannock War, he served as the governor’s field secretary, and later attained the rank of “Major” for serving as the Assistant Adjutant General of the Third Brigade of the Oregon State Militia from 1879 to 1883.
In the later years of his life, Moorhouse became an avid photographer and began taking photographs around 1897. Though the film camera was commercially available and popular in American households at the time, he opted to use professional photography techniques and materials, such as glass plates and a large camera on a tripod. Although Moorhouse considered himself an amateur photographer throughout the nearly twenty years during which he was taking photos, his photographs of Native Americans were exhibited and recognized both regionally and even nationally.
Many of Moorhouse’s photographs depict eastern Oregon landscapes, small-town life, agricultural scenes, railroad and steamboat activity, and artistic portraits. He also took particular interest in documenting life on the Umatilla Indian Reservation, believing that indigenous ways of life would soon disappear entirely.
On June 1, 1926, Moorhouse passed away due to illness at the age of 76. In total, he took over eight thousand glass plate images during his life.
One of his daughters sold around three hundred images of Native American subjects to the Bureau of American Ethnology in 1935; those glass plate negatives are now housed in the National Anthropological Archives of the Smithsonian Institution. In 1949, the University of Oregon was deeded the bulk of his collection, approximately 6,500 images, many of which depict the Umatilla Indian Reservation and the Pendleton Round-Up.
The remaining 1,541 glass plate negatives were gifted to the Umatilla County Library in 1958, and then transferred to the Umatilla County Historical Society in 1987. In 2025, these images were processed and digitized with support from the Roundhouse Foundation and Whitman College and Northwest Archives.
Extent
289 Gigabytes (3,070 digital files (preservation and access))
Language of Materials
English
Abstract
The Lee Moorhouse Photographs collection contains approximately 1,500 glass plate negatives stored at the Umatilla County Historical Society. All plates have been digitized, and approximately one thousand of them were selected to be uploaded to the Whitman College and Northwest Archives online archival database. The photos were taken by Major Lee Moorhouse between 1897 and 1915. Moorhouse is most well-known for being the Indian agent on the Umatilla Indian Reservation from 1889 to 1891.
Arrangement
Out of approximately 1,500 glass plate negatives, 1,000 were selected for uploading online. Duplicate or near duplicate images were removed from those uploaded for redundancy. The digital copies of each negative and the original glass plates have all been retained.
For the 1,000 images selected to upload into the institutional repository Arminda, unique descriptions were written for each image and subject terms were assigned, based on a locally created thesaurus utilising the Library of Congress Subject Headings, the Getty Museum’s Art and Architecture Thesaurus, the Homosaurus Project, and the University of Oregon’s Opaque Namespace. Included within these subject terms are unique ID’s for artifacts of indigenous craftsmanship that appear within multiple photographs. Staff identified these objects (dresses, moccasins, shirts, gauntlets, necklaces, beaded bags, leggings, etc.) while creating metadata. Many of these repeated objects were part of Moorhouse’s collection and were often worn in non-typical manners (ex. a necklace worn as a belt). For this reason, staff are not confident that every instance of these artifacts has been identified. Work may continue to further expand on these connected objects.
Additionally, individuals featured in two or more photographs have been tagged with a unique creator ID term (Model 001, 002, 003, etc.) The original glass plate images had very little to no documentation, which makes identification of figures by name difficult. Creating unique creator identification terms links images together and allows for ease of searching. These terms can be edited should names be discovered at a later date. When possible, names have been included as unique creator IDs with additional historical context supplied in the item description. Photographs containing clear instances of redface include a content warning and blurred thumbnail as per the Library’s policy regarding harmful content.
Immediate Source of Acquisition
Materials were digitized by Whitman College and Northwest Archives in collaboration with the Heritage Station Museum and Umatilla County Historical Society made possible through a grant received by the Roundhouse Foundation in 2025-2026. The Whitman College and Northwest Archives retains a non-exclusive distribution license for the purpose of sharing materials on Arminda.
Existence and Location of Originals
The original glass plate negatives are owned and housed within the Heritage Station Museum and Umatilla County Historical Society at 108 SW Grazer Ave, Pensleton, OR 97801. The Whitman College and Northwest Archives provides access to approximately 1,000 photographs on the institutional repository Arminda through a non-exclusive distribution license. To access the originals or for use permissions, please contact the Heritage Station Museum at (541) 276-0012 or info@heritagestationmuseum.org.
Processing Information
The glass plate negatives, stored in the Umatilla County Historical Society, had originally been stacked horizontally in metal filing cabinets. They were held in waxy sleeves, some with writing on them, suggesting some amount of minimal processing prior to this project.
The plates were re-sleeved into acid free photo sleeves, placed in archival boxes, and supported with spacers to prevent breakage. Any original metadata on the old sleeves were transferred to the new ones. The physical processing maintained the order of the glass plate negatives as they were in the original metal filing cabinets.
The plates were then digitized on-site using a light box and a high quality camera attached to an overhead camera mount. At this point, each of the plates were given a unique file name. The photo files were later converted from RAW files into TIF files of the glass plate negatives. With copies of the master TIF files, Adobe Photoshop was used to invert colors, straighten and crop images, and adjust levels of grayscale, so that there would be clear positive copies of the plates for uploading into the digital collection.
Processing of the glass plate negatives was conducted by Will Allen and Alexis Hickey, digitization of the glass plate negatives and initial metadata creation was conducted by Madeline Senter, remaining metadata was created by Sarah Hurlburt, Anya Millard, Will Allen and Alexis Hickey. Joey Lavadour consulted on indigenous made objects. Work on this project was completed with the assistance of a grant from the Roundhouse Foundation from July 2025-May 2026.
Geographic
Topical
- Title
- Guide to the Lee Moorhouse Photographs collection
- Status
- Completed
- Author
- Madeline Senter with additional notes by Alexis Hickey
- Date
- 2026
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
- Sponsor
- Processing, digitization, and description funded by a grant from the Roundhouse Foundation.
Repository Details
Part of the Whitman College and Northwest Archives Repository